С английского на русский - вопрос №124559

Здравствуйте, уважаемые эксперты! Переведите пожалуйста текст с английского на русский или хотя бы небольшой отрывок из этого текста. Текст из книги по теории музыки, специфический, поэтому нужна именно помощь переводчика, а не гугл. Заранее большое спасибо, все вопросы оценю.

Now that we’ve worked on drop-2 and drop-3 voicings for basic 7th chords, we’re more than ready to add diminished chords, 13thchords,and diatonic progressions to your set of skills. Remember to relate new shapes to chord forms that you already know. It’s the easiest, most effective way to expand your knowledge.

Objectives

By the end of this lesson, you will be able to:

play diminished voicings in drop-2 and drop-3 configurations

use minor 7(5) voicings in place of dominant 9 chords

play dominant 13 chord sounds, building on shapes that you’ve already learned

Dominant 9 Voicings: Another Use for min7(b5)

Dominant 9 Voicings: Another Use for min7(b5)

If you were to put a B underneath a Dmin7(5), you would have the same notes exactly. Guitarists make good use of this.

Playing the min7(5) chord from the third of a dominant 7 chord yields a dominant 9 sound—you’re letting the bass player play the root for you. It is possible to wrap your thumb around to play the root as well, but this is easier for guitarists with larger hands to accomplish.

Dmin7(5) as a drop-2, from the fifth string up, related to B9 chord.

Dominant 13 Voicings and Chord Tensions

We'll be working with application of these rules for the rest of the course. It's a way to take all of the drop-2 and drop-3 voicings that we know and change them into different voicings.

Let’s work with 6 replaces 5 first, replacing the fifth of the chord with the sixth. Here’s a B7 drop-3 voicing, with the fifth on the second string. Since “6 replaces5,”in the second bar, the F is gone, replaced by a G. We now have a B13 chord, created from the B7 voicing.

Question: Why is the G called 13 and not 6?

Although enharmonically the 6 of the key of B, the G would be called the 13, since, when stacking notes in thirds, the G would occur above the 7. See the following

In general practice, with seventh chords of any quality, tensions (notes other than Root, 3, 5, and 7) are listed as numbers higher than 7 (meaning 9 instead of 2, 11 instead of 4, or 13 instead of 6).

Replacing the fifth of the chord with the 13 on a drop-3 E7 on the sixth fret would look like this